Tuesday, November 24, 2015
Wednesday, November 18, 2015
The exhibit features 15 historic quilts from the UK Quilters Guild Collection (dating 1780-1949) as well as 20 quilts by Kaffe Fassett (and team). Kaffe is a patron of the Quilters Guild and worked with their curator to select quilts from their collection for interpretation.
The exhibit is a stunning collection of quilts spanning 236 years - all successfully combined in brilliant color.
|Can you find the antique in the trio?|
Hearts and Crosses Coverlet, Organic Radiation
and Citris Zigzag Ribbon
Two Books Are Available:
Kaffe Fassett's Heritage Quilts
Includes beautiful colored photos of all of the quilts in the exhibit as well as patterns for the interpretations.
Exhibit Catalog is a 32 page full color catalog
The 6"x 9" booklet is laid out with the quilts paired when the book is open for easy analysis.
Contact the gift shop HERE.
The museum also has a companion exhibit, "Pattern Pieces: Can You Make A Quilt Out of Wood?
Some of my favorite wood pieces were by artist Laura Petrovich- Cheney.
Laura works with selvaged wood from hurricane Sandy creating these beautiful pieces of art. Great color, texture and design.
Can you tell she also quilts?
|Rustic Checkerboard Medallion by Sidmouth Quilt|
The exhibit at The Michener Art Museum runs through February 21.
It then travels to the San Jose Museum of Quilts and Textiles. Exhibit dates there are March 12 - June 28.
Be sure to check for any Educational Programs during the exhibits.
English and American Quilts - 12/1 - Jean Lury
Piecing Together Cultures - 12/15 - Patricia Herr
(Sign up in advance with the museum)
I hope you get a chance to enjoy the quilts as much as I did.
Get the Free Blanket Statements Mobile App (Crowd Funded) at Google Play or Apple's App Store
Listen to other quilters as they view the quilts.
My Kaffe Quilts HERE
Nancy's Quilts with Kaffe Fabrics HERE
Our Radical Rose pattern in Kaffe Prints HERE
More on the Exhibit HERE
Next Stop - San Jose HERE
|Earthy Herringbone Stripes, Chevron Strippy, Sunshine Herringbone Stripes|
|Ridehalgh Quilt, 1860-1890|
Silk, Brocade and Velvet, each piece outlined in gold silk braid
All hand sewn
Detail from Sunset StripesHave a great week!
Saturday, November 14, 2015
Yes, I rescued the quilt and it now lives with me. It will not become a cutter or craft project.
The binding is original and was hand applied on both sides.
This photo shows the binding on top, worn so you can see hints of the original green inside. The outer border with triple line quilting. The triple lines continue through the outer border, the green and narrow white center border. The is no hand quilting in the repaired narrow yellow border.
The maker treated the corner by ignoring the border seam.
The triple lines go right through the seam until they meet the adjoining edge.
You can see the yellow does kind of look a little "off".
I was also asked about the original red.
It was a red print, not a solid red.
It s a little golden eyelet/sunburst print. Similar prints have been reproduced.
The green was a dot style motif.
The green was an over dyed green - you can see the hints of blue.
I can easily restitch what I took out. For now I will use it as a quilt study example.
There are small seams with pieces filling in the block piecing. The corners didn't meet very well and they were 'quilted' into place when she stitched into that area.
So glad she didn't give up and leave the blocks as an unfinished project.
The back also has places where smaller pieces were hand stitched together so there was a large enough piece.
There is no sign of the yellow thread on the back.
All of the "cover up" applique was done in yellow thread. The yellow stitches only going through the top and batting. Quilting in the covered sections also only the top and batting.
The hand quilting seen on the back is the original stitching.
I do plan to leave the quilt as it is.
Now you know!
If you have more questions - feel free to ask!
On the stitching front I am working on the Shenandoah Valley Botanical Album Quilt (SVBAQ). You can see the progress of many participants on the dedicated sew along blog HERE. There are many pages on the blog dedicated to the history of the 1859 original.
All proceeds from pattern sales benefit the Virginia Quilt Museum. You can join in at anytime.
My blocks are smaller than the original, but I'm trying to stay close to the original colors. Stitchers are making it in wool, batiks, brights...Amazing and beautiful support for the museum.
Sunday, November 8, 2015
There's something suspicious here!
Do you see it?
No, it isn't the bicycle trying to sneak into the photo. Although displaying a quilt on a bicycle with the chain oil etc. should be a crime...
It's the yellow.
This quilt required additional investigation.
Are you with me?
First, the hand quilt is exquisite.
All the signs of an 19th century beauty.
Feathers, double and triple line quilting, double line cross hatch...
I think the texture created by the hand quilting is lovely and really 'makes' the quilt.
The block is sometimes done with appliqué, sometimes inset seams.
Known by many names, I'm calling this one Turkey Tracks.
Brackman Applique: 5.36
Brackman Pieced: 3109 variation
This style and era were usually done in red and green, why is this one yellow and green?
Let's look closer.
The green is worn in places.
The hand quilting keeps it stable. All seams are hand sewn, including the binding.
See how uniform the stitching is? The hand quilting goes right through the appliqué.
The tip of the leaf goes to the seam so it is difficult to confirm if it is applique or pieced.
From the tip of the petal the seam can be seen.
What's the red? A hint from a past life?
YES! This has been repaired - the worn red covered in yellow.
Checking the back there are more signs of red. Could have been an errant fiber caught in the quilting?
Note the lower thread count backing fabric, helps with getting small stitches.
A few visible knots on the back.
Held up to the light, the red is very obvious. Perhaps less so in my photograph!
Some of the red is still fully in tact, some is completely gone.
I would GUESS the 'repair' was done in the 1970s or so based on the yellow print.
Still a lovely quilt, I hope you enjoyed exploring it with me.
Have a great week,
Saturday, October 31, 2015
This involved digging in the stash - deep. I have been able to mix some reproduction fabrics in with the brights, pastels and Kaffe prints. The oldest print I used in a yellow pin dot from 1985 - really!
I would love to have your opinions - fresh eyes please.
I will most likely machine quilt the blue dots, and want to use fabrics that compliment the appliqué. I am fairly certain I will add a busy print border, I did the appliqued border on the first two.
So, here we go....
I like the Kaffe print for the border, do you?
I am thinking of using the prints from the applique for the alternate blocks. Are they too much? Do prints help the applique detail pop?
What would Catherine think of her 1855 flowers?
Or, is keeping it all 'dotty' better?
There would be texture in the alternate block after quilting. Is it more soothing to the eye with the pastel Kaffe print?
I think I've decided, then looking this morning I changed my mind again.
Your thoughts please? TIA for taking time to leave a comment.
Month eleven blocks are posted HERE.
Have a great weekend!