Monday, July 28, 2014

Questions Answered First Glance Second Look

Lower Left Corner Detail:  Competition Quilt
Lancaster PA 1895
Cotton, silk & Linen
I had a chance to get back to the Denver Art Museum - actually a couple times since my last post.

I received questions about the quilts in the DAM exhibit, "First Glance Second Look".
The book is available HERE.

Stick with to the end of this post - it just might be worth your time!

Many of the answers are in the book.  I'll share some of those details here.






Are the mullions appliqued on the The Houses and Pine Trees Quilt featured in the exhibit advertising and on the cover of the book?

The window and door mullions are pieced.
The staff takes great care examining objects prior to exhibition.  The quilts were laid out on the large table in the conservation lab and examined using state of the art technology.

In this example, the staff was able to see the individual squares of each window and door pane pieced with narrow strips of fabric to create the mullion effect.

The stripe effect of the sashing is also done by piecing - not a print.



Why is the quilt at an angle?

Slant boards are used to prevent stress on the textile fibers while it is on display.  In the case of the broiderie perse album quilt the applied fringe edge treatment makes the quilt very heavy.  The angle of the slant allows the weight of the textile to be redistributed and not stress the top of the textile.

Note the iPad on the stand - these are stationed throughout the exhibit to provide additional details and closeups of various objects.

I didn't crop out the long black piece in the lower right corner.  It is one of many places to sit in the exhibit so you can leisurely enjoy the exhibit.  Each seating areas has assorted related quilt textile books for reference.




Gallery View showing the bar backings
and a few of the crazy quilts
How long does it take to see the exhibit?

That is hard to answer.
Besides the exhibit there is the Thread Studio that is packed with displays, drawers to open and explore, reference books, videos and more comfortable seating!
One of the groups I went with planned about an hour and said it was not enough time.  They thought closer to two hours and maybe go back after lunch!
Lunch?  Yes, the museum has a wonderful restaurant.


Spend some time in the thread studio!
The drawers contain wonderful treasures.

Another horse bonnet.

Remember the one I saw at the Schwenkfelder?
You can see it HERE.

The drawers fully extend, with the objects under plexi so you can get really up close.







Medallion Bedcover, England - Early 1800's
Where do the quilts come from?

Some of the quilts come with full history like The Matterhorn Quilt.

Others, like the Medallion Bedcover come with some history, but not a full story.  The museum maintains files on each object with information that cannot possibly all be included on the exhibit tag.  In this example one piece of supporting documentation is a letter from the donor.  In her 1991 letter she writes, "I purchased this applique quilt in 1960 at the antique department of Heal's Department Store in London. Nothing was known about the originals there, but I took the quilt to the curator of the Victoria and Albert Museum who said much the same things about it as did PF.  Except that it was earlier in the 19th Century than she did."




The museum generously donated an exhibit book, "First Glance - Second Look" for me to gift to a lucky reader.
Leave a comment and I will randomly select from the comments August 4.
No reply comments are excluded if they don't leave a way to contact them.
Have a great week!!
Dawn
Competition Quilt Lancaster County PA
About 1895   Red Dot backing

Tuesday, July 22, 2014

Hoop Sewing Bags Or Stitching Bags

Last year I made a hoop style sewing bag for a the AQSG Auction.  I wrote about it HERE.

I was very happy it sold at the auction with several bids!
I got several requests for a pattern, and now have it ready.
You can read more and order the digital pattern HERE.

It is a great way to use up some fabrics from your stash.
Two of my antique hoop bags are made with silk fabrics.

You can customize them by adding accessories like pockets, needle holders, handle variations and lid embellishment.  If you have spare macrame or embroidery hoops you are well on your way!

Besides a sewing project they can be used for lingerie bags, embroidery projects and jewelry storage.




Here is a trio we made in pattern testing.

These are a little smaller than the auction bag pictured above.  The pattern includes calculations for using your own hoop size.

These three close with a snap.  I plan to add a button on at least one.  Something large and a bit showy!

You can also see I like a scrappy look so I put the testing kits together with multiple fabrics.



This is one of my antique/vintage bags.

It is made of all one fabric, including the base and lining.

Very delicate rose print fabric.

I've even seen lids with quilt blocks and applique on them.







This is the interior lid of one in the trio - fun to customize!

It holds a few sewing supplies - but could easily be made to hold jewelry pieces or knitting accessories.

Thanks for stopping by.  Hope you are having a great July.  Ours has been filled with fabulous visits with family and friends.
Happy Stitching,
Dawn


Monday, July 7, 2014

New Finish and more Grapes

Half Inch Hexagon Charm Quilt
A detail photo of my newest finish!

Hexagon Charm Quilt
1/2" Hexagons
Hand Pieced
Hand Quilted

392 Different Individual Reproduction Fabrics
22" x 28" Finished Size

Truly finished, including hanging sleeve and tag!

I enjoyed making it so much I have a second one well underway.






Charm Quilt 22" x 28
Completed Quilt

22" x 28" w Binding

Striped binding and backing.

The light rounds are also by color.
For example, all of the shirtings next to the black round are black on cream prints.

The outer corner hexagons are deep navy.  They look like purple in my photo.

I outline quilted the upper and lower edges of each hexagon.  I quilted straight lines in the pink border.
The wider final border has a tulip motif in the corner and petals running up the sides.





Because I never get enough of applique grapes - I found another variation to share.  This is a picture from an online auction.
The grapes are one piece of fabric.  Is it a clever repair?  Is the dot print covering worn purple?  Did the original maker place batting circles under the fabric in "grape cluster" position, then quilt around the "grapes"?

Regardless, very clever, and gives the look of seperate circles appliqued close together in a grape cluster.





This is the block in the quilt.  It is actually a side setting triangle.


First glance and it is a cluster of grapes.  A closer look reveals the single piece of fabric.

Have a great week!  I plan to stitch a lot of grapes this week.  How about you?

Monday, June 30, 2014

Noah and Matilda Block Set Seven

Purple Grapes pattern available in Noah and Matilda Set Seven
My previous post on appliqued grapes was motivated by a block in set seven.

The Purple Grapes

I stopped counting after the first 12 grapes, but let's just say the quantity of grapes in this block tops the speed limit of most US highways!  Does that sound better than 65?

I love the shape of the stems, the curve of the embroidered tendrils and of course...the grape clusters!

I did the embroidery first, then the stems.
Next came the leaves, while contemplating which technique to use for the grapes.


Stem of grapes, Noah and Matilda block set seven


I decided not to restitch the block.

I like the texture of these clusters.
The technique makes for great discussion.
I also like the idea of using multiple techniques in the quilt.

We still have not determined if Matilda made all of the blocks or if it was a presentation quilt.




Each grape was made from a circle of purple fabric.
I turned under the circle edge and ran a gathering stitch around the edge.  After stuffing the circle with bits of cotton batting I pulled the gathering thread closed, and knotted the thread.  Without cutting the thread I ran it through the center of the circle and into the block backing fabric.
I made another knot, tacking the grape to the background fabric.  Then I stitched the bottom circle of the grape to the backing fabric from the back side.  Being a back baster, the circle was already drawn.


The rest of the blocks in set seven include oak leaves, a red flower stem and great yellow flower!
Set seven is HERE.

Have a great week!
Dawn

Tuesday, June 24, 2014

Applique Grapes


Half of the original and half of my reproduction block
The Noah and Matilda quilt has a lot of appliqued grapes.  I think you should applique in whatever technique you enjoy.  Today I'm sharing a variety of applique grapes.

The green grape block is in set four of the blocks.

I chose to back baste the circles and stuff the grapes as I needle turned each circle.  I think they match the originals pretty well.
I did use a print for the leaves as opposed to the solid in the original.



Hand applique, machine quilted

I like to take classes and try new applique techniques.  This is from one of my first applique classes.  In this class we used a drafting ruler of circles to trace the circles.  Now I back baste - even tiny circles.


We also cut circles from cotton batting scraps and covered them with the fabric circles, then applied the circle to the backing fabric.

These are rather large grapes, about 1.25" each.

I like using a variety of prints in the grapes.
As I recall, the rest of the class used batiks.
Do what you like!





Grape class project

This is the block in the completed quilt.

All hand applique, machine quilted.

I completed it many years ago.  I think the class was monthly with lessons in each of the 9 blocks. The other three months were sashing, borders and finishing.  

I remember the class was very rewarding and I think the patterns were drawn by the instructor.
It was a pivotal year in my applique journey.


Expression of Morris, (Book by Katie Friesen)



This grape cluster was done with a similar technique.

I cut the circles, about 1/2".
I used cotton batting circles cut from scraps.

The finished grapes are about 1/4" - that's my pinkie finger in the photo.

Again, I enjoyed using a variety of purple prints.





I'm taking a little liberty calling these red circles grapes.  They could be cherries or berries.

This maker used contrasting thread and made the stitching part of the design.  The buttonhole stitch is rather deep and acts as an embellishment.  The circles are not stuffed.

This quilt (circa 1845) is in the collection of the Brooklyn Art Museum and is currently traveling in the Workt exhibit.











Again, I'm taking a little liberty calling these circles grapes.  I think we can agree they are appliqued circles.

This quilt is circa 1830.  Buttonhole stitching surrounds each circle.  The circles finish at about 1/2".  The fabric circles were cut from a larger floral print.

Precision was important to this maker.

My personal preference is a little variation in the circles in color, size and shape.  I think the variation gives a more organic look.








Unidentified kit quilt, Goldstein Collection

These grapes are on a kit quilt, circa 1950.

The fabrics are all solid.  The clusters of grapes range from purple and pink to yellow and cream.

Each circle is lightly padded.

In some areas the faint black line shadow from the stamped kit adds a  depth to the circles.





Charlotte Jane Whitehill, Indiana Wreath Quilt
Neuster Textile Collection, Denver Art Museum


The grapes in the Charlotte Jane Whitehill quilt, "Indiana Wreath" are oval shaped and heavily stuffed.

Each grape is at least a full inch long.  She used solid fabrics, gradating the color placement from light to dark.









Stuffed grapes are abundant in antique applique quilts.

In this example the purple printed fabric was gathered, stuffed and tacked down.  Look closely at the background fabric to see a small pucker where the grape is attached.
This technique leaves the grape more dimensional.

I like the slight size variation in these grapes.


So why all this interest in applique grapes and circles?

I made a discovery this morning on the Noah and Matilda quilt!





Grape cluster - Noah and Matilda Quilt
After examining the purple grapes on Noah and Matilda's quilt I thought they looked like a technique new to me.  How exciting!
Don't these look similar to an embroidered eyelet or fabric covered button?

I consulted a few quilt historians, fellow quilt study enthusiasts and applique artists.
No breakthroughs...

Following good advice, I set about recreating the grapes.




I gathered circles, stuffed them then tried to flatten them out and stitch around the outer edge to achieve the uniform swirl on the originals.

To say my results were dismal is an understatement.  It wasn't that I didn't like my little grapes, I do.  I was disappointed because they didn't look like the originals.  They sit high off the backing fabric and being stuffed, do not flatten out.

Time to look at the original again.




Poor worn little grape


I use archival storage for my quilts, even the worn ones.  I brought N&M back out into the light....

I took the liberty to excavate a little more aggressively than I had in the past.  Where the purple fabric had failed I looked under the popped cotton tuft.

Had the cotton fiber come from between the gathers as previously thought?

I had to check a few more grapes...





Detail of worn side of grape cluster

How do the grape sides look?

The tufts of cotton filling stayed so nice and rounded after the purple fabric failed.  Even if I wanted to, I don't think I could pull them off.

The quilt came to me in this condition, so at some point(s) in its life it had some rough treatment.  I am so happy we have been able to document and preserve the story of this quilt.  (Research is still ongoing).



Partial top left on purple grape

Then it hit me!

Or, maybe it was when I saw this particular grape.
All of the gathers are the bottom of the grape, under the filling.  I was disappointed and excited at the same time.
Disappointed it was not a 'new to me' technique.
Excited to solve the mystery.
Stay tuned - did I restitch my purple grape block?
Would you?
What's your favorite grape applique technique?

Have a great week!
Dawn